INT. SAFEHOUSE - DAY

Light arrows through slits in the hallway blinds illuminating the brightly decorated interior sparsely furnished from the streets. Practicality outweighs aesthetics. Political LITERATURE and PLACARDS adorn the walls. A huge RED & BLACK ANARCHIST FLAG in the middle.

  MOTHY

  So, what is this place, what’s going on?

  DIMPLE

  Humiliation for them, publicity for us.

  We’re helping society crumble so it can

  start again and get it right this time.

  MOTHY

  Glorious revolution? How many are you ?

  DIMPLE

  Six -- and a cactus named George.

  MOTHY

  Hardly an earth shattering coup d’état !

  PETE

  Stick a gun in society's face they'll fight you,

  stick two fingers and you emaciate them. We’re

  no threat but the state’s so paranoid they think we are.

  MIKEY

  Idealistic “Pete” bollocks !

  PETE

  Never mind the bollocks. The Thames,

  Nineteen-Seventy-Seven, 'God save the

  Queen', that had a bigger cultural impact

  than your leaflets and placards will ever do.

Mikey squares up to Pete and flicks two fingers at him.

  MIKEY

  There, I just emaciated you !

Whilst documenting an urban vandal, maverick photographer, Mothy, uncovers a plot to bring down the Government, and by default his estranged father, and is torn between whether to get involved or simply document it.

Feature - Psychological Drama - Dimarco Films

Director: Paul Hills (Frontline, Boston Kickout, The Poet, F2.8)

Producer: Steve Dimarco

Cast: Marc Warren, Sarah Jane Potts, Jonnie Hurn

Shoot Slated: 2008

*Cast STC